{"id":30820,"date":"2022-09-22T18:30:10","date_gmt":"2022-09-22T18:30:10","guid":{"rendered":"https:\/\/www.hotelaquariusvenice.com\/?p=30820"},"modified":"2024-10-03T09:11:37","modified_gmt":"2024-10-03T09:11:37","slug":"2022-09-22-giovanni-tavano-fotografie-1977-2020","status":"publish","type":"post","link":"https:\/\/www.hotelaquariusvenice.com\/it\/2022-09-22-giovanni-tavano-fotografie-1977-2020\/","title":{"rendered":"2022\/09\/22 – Giovanni Tavano – Fotografie 1977-2020"},"content":{"rendered":"

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Giovanni Tavano<\/b><\/p>\n

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settembre<\/div>\n
22<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″ css=”.vc_custom_1654691280104{padding-top: 2% !important;padding-left: 10% !important;}” col_inner_shadow=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” col_inner_shadow_hover=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” offset=”vc_col-xs-9″][vc_column_text css=”.vc_custom_1663747573931{margin-bottom: 4% !important;}”]<\/p>\n

corti di hotel AQUARIUS<\/p>\n

gioved\u00ec, 22 settembre 2022<\/span>
\nore 18:00<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][dfd_spacer screen_wide_spacer_size=”75″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][dfd_heading subtitle=”fotografo” enable_delimiter=”” undefined=”” title_font_options=”tag:h5″ subtitle_font_options=”tag:h6″]Giovanni Tavano<\/a>[\/dfd_heading][dfd_heading subtitle=”Storico e critico della Fotografia” enable_delimiter=”” undefined=”” title_font_options=”tag:h5″ subtitle_font_options=”tag:h6″]Manfredo Manfroi[\/dfd_heading][vc_column_text css=”.vc_custom_1662966929156{margin-top: 4% !important;}”]<\/p>\n

sono lieti di invitarvi alla presentazione del libro<\/p>\n

[\/vc_column_text][dfd_spacer screen_wide_spacer_size=”35″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][dfd_heading subtitle=”Fotografie 1977-2020″ enable_delimiter=”” undefined=”” title_font_options=”tag:h4|color:%23ad2a27″ subtitle_font_options=”tag:h6″ title_google_fonts=”yes” title_custom_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:300%20light%20regular%3A300%3Anormal”]GIOVANNI TAVANO<\/a>[\/dfd_heading][vc_column_text css=”.vc_custom_1662967585252{margin-top: 4% !important;}”]<\/p>\n

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[\/vc_column_text][vc_column_text css=”.vc_custom_1662965533981{margin-top: 4% !important;}”]<\/p>\n

Manfredo Manfroi dialoga con Giovanni Tavano.<\/p>\n

[\/vc_column_text][dfd_spacer screen_wide_spacer_size=”75″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][dfd_delimiter icon_size=”10″ delim_line_color=”#dd9933″ undefined=””][dfd_spacer screen_wide_spacer_size=”75″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][dfd_heading subtitle=”Fotografie 1977-2020″ enable_delimiter=”” undefined=”” title_font_options=”tag:h5″ subtitle_font_options=”tag:h6″]Giovanni Tavano<\/a>[\/dfd_heading][dfd_spacer screen_wide_spacer_size=”35″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][vc_column_text]Come autore, ho scelto di collocarmi lungo l\u2019asse storico principale della fotografia: intrattenere con la realt\u00e0 un rapporto rappresentativo diretto, riconoscibile, \u201cfedele\u201d e non manipolativo. Interessandomi a ci\u00f2 che ci circonda avendone rispetto, senza modificarne gli elementi costitutivi ma semplicemente osservando, ed equilibrando il mio sguardo fra osservazione del sensibile e visione dell\u2019oltre.<\/span><\/span><\/p>\n

As a photographer, I made a conscious decision to pursue projects along what has been photography\u2019s main axis in history, namely a direct, recognizable, \u201cfaithful\u201d, non-manipulative relationship to render reality. Taking an interest in what surrounds us but with respect, without modifying its constituent elements, simply observing and adjusting my perspective to fall between observation of matter and vision of beyond.<\/i><\/span><\/span><\/p>\n

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Il territorio che ho sempre cercato di esplorare \u00e8 il potenziale di metasignificazione che ogni cosa contiene, se osservata in un certo modo, e che consente di cogliere l\u2019apparizione del nascosto che si rivela, dell\u2019inafferrabile che per un attimo affiora fra la banalit\u00e0 corrente delle cose.<\/span><\/p>\n

The territory I\u2019ve always tried to explore is therefore the potential of meta signification found in everything, if observed in a certain way, and which allows us to grasp what is concealed as it emerges to show itself, the elusive that flashes fleetingly in today\u2019s banal existence.<\/i><\/span><\/span><\/p>\n

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Tutto questo lavorio di scavo e di disvelamento dei significati secondi, dell\u2019ineffabile celato dietro la superficiale insignificanza delle cose, \u00e8 una azione creativa prima di tutto cerebrale, intellettuale, culturale. Per questa ragione, ho sempre avuto consapevolezza che questo tipo di produzione appartiene anche al mondo dell\u2019arte contemporanea, per la sua dimensione essenzialmente concettuale.<\/span><\/span><\/p>\n

All this work to dig out and reveal other meanings \u2013 the ineffable hidden behind the surface triviality of things \u2013 is a creative action and it\u2019s chiefly cerebral, intellectual, cultural. For this reason, I\u2019ve always been aware that this type of production \u2013 albeit entirely within the language <\/i><\/span><\/span>of photography as a specific field of expression \u2013 nonetheless belongs more latently to the <\/i><\/span><\/span>world of contemporary art for its fundamentally conceptual dimension.<\/i><\/span><\/span><\/p>\n

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L\u2019ambito di ricerca che mi \u00e8 sempre interessato di pi\u00f9 \u00e8 l\u2019ambiente urbano, con la sua umanit\u00e0 casuale, il suo paesaggio dimesso, i tanti luoghi incerti, gli spazi di confine fra citt\u00e0 e campagna, e la stratificazione di significati che l\u2019agire umano minuto, quotidiano e inconsapevole deposita su di essi. <\/span>Luoghi, edifici, passanti, piante, animali: negli ambienti antropici tutto riceve un disegno e un ridisegno continuo, corale, anonimo, automatico, preterintenzionale. Un processo di segnificazione e significazione seconda spesso impercettibile, come una leggera risacca.<\/span><\/span><\/p>\n

The field of research that has always attracted me most is the urban environment, with its casual humanity, its shabby landscape, its many undefined places, fringe areas between city and countryside (where human action tears up the land that Nature doggedly seeks to regain) and <\/i><\/span><\/span>the stratification of meanings that minute, daily, unwitting people deposit there. <\/i><\/span><\/span>Places, buildings, pedestrians, plants, animals: in anthropic environments everything undergoes <\/i><\/span><\/span>continuous, unanimous, anonymous, automatic, unintentional design and redesign. A process <\/i><\/span><\/span>of denotation and connotation that\u2019s often as subtle as a gentle undertow.<\/i><\/span><\/span><\/p>\n

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