{"id":31640,"date":"2023-01-13T18:00:27","date_gmt":"2023-01-13T18:00:27","guid":{"rendered":"https:\/\/www.hotelaquariusvenice.com\/?p=31640"},"modified":"2024-10-03T09:36:08","modified_gmt":"2024-10-03T09:36:08","slug":"2023-01-13-1800-il-tiranno-di-padova","status":"publish","type":"post","link":"https:\/\/www.hotelaquariusvenice.com\/it\/2023-01-13-1800-il-tiranno-di-padova\/","title":{"rendered":"2023\/01\/13 – 18:00 – Il Tiranno di Padova"},"content":{"rendered":"

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width=”3\/4″ css=”.vc_custom_1654691280104{padding-top: 2% !important;padding-left: 10% !important;}” col_inner_shadow=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” col_inner_shadow_hover=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” offset=”vc_col-xs-9″][dfd_heading style=”style_02″ subtitle=”Salone Pemma-Zambelli” delimiter_settings=”delimiter_style:solid|delimiter_width:80|delimiter_height:1″ undefined=”” title_font_options=”tag:h2″ title_google_fonts=”yes” title_custom_fonts=”font_family:Cinzel%3Aregular%2C700%2C900|font_style:400%20regular%3A400%3Anormal” subtitle_font_options=”tag:div” subheading_margin=”margin-top:25″]<\/p>\n

AQUARIUS<\/h4>\n

[\/dfd_heading][\/vc_column_inner][\/vc_row_inner][dfd_spacer screen_wide_spacer_size=”75″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][dfd_heading style=”style_02″ subtitle=”a cura di Massimo Rosin” enable_delimiter=”” undefined=”” title_font_options=”tag:h4|color:%23ad2a27″ subtitle_font_options=”tag:h6|line_height:40″ title_google_fonts=”yes” title_custom_fonts=”font_family:Cinzel%3Aregular%2C700%2C900|font_style:400%20regular%3A400%3Anormal”]Il Tiranno di Padova<\/span>[\/dfd_heading][dfd_spacer screen_wide_spacer_size=”35″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][vc_column_text]\"\"

Breve storia della SCALERA FILM a Venezia<\/p>\n

[\/dfd_heading][vc_column_text]Siamo nel 1942 quando, in una Roma presa dalla paura per le deportazioni degli ebrei da parte dei tedeschi, i fratelli Scalera decidono di portare le loro attrezzature cinematografiche in una citt\u00e0 del nord dove la guerra non sarebbe mai arrivata: Venezia.<\/p>\n

Gi\u00e0 nel 1941 vengono a sapere che in un’isola della citt\u00e0 lagunare, la Giudecca, ci sono alcuni spazi dove poter ricominciare a lavorare. Sono delle stalle abbandonate, nella zona delle Fondamenta delle Convertite, dove c’\u00e8 oggi, ironia della sorte, il carcere femminile…[\/vc_column_text][dfd_spacer screen_wide_spacer_size=”35″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][vc_column_text]\"\"

leggi “Breve storia della SCALERA FILM a Venezia” di Massimo Rosin<\/a><\/p>\n

[\/vc_column_text][dfd_spacer screen_wide_spacer_size=”75″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][dfd_delimiter icon_size=”10″ delim_line_color=”#dd9933″ undefined=””][dfd_spacer screen_wide_spacer_size=”75″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][dfd_heading style=”style_02″ subtitle=”presentazione di” enable_delimiter=”” undefined=”” title_font_options=”tag:h6|line_height:30″ subtitle_font_options=”tag:h6|line_height:40″ title_google_fonts=”yes” title_custom_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic” subtitle_google_fonts=”yes” subtitle_custom_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:300%20light%20regular%3A300%3Anormal”]<\/p>\n

Carlo Montanaro<\/a><\/p>\n

[\/dfd_heading][dfd_spacer screen_wide_spacer_size=”35″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][dfd_heading subtitle=”Una produzione Scalera film, 1946″ enable_delimiter=”” undefined=”” title_font_options=”tag:h3|color:%23d33030|line_height:45″ subtitle_font_options=”tag:h6″ title_google_fonts=”yes” title_custom_fonts=”font_family:Cinzel%3Aregular%2C700%2C900|font_style:400%20regular%3A400%3Anormal” heading_margin=”margin-bottom:35″]Il Tiranno di Padova[\/dfd_heading][dfd_spacer screen_wide_spacer_size=”75″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][vc_column_text]C’\u00e8 \u201cLA GIOCONDA\u201d, dramma di Victor Hugo alla base di un \u201ccappa e spada\u201d della ripresa post bellica.<\/p>\n

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\"scalera_film-tiranno_di_padova-la_gioconda\"

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Con un discreto budget assolutamente percepibile, una Venezia presente da co-protagonista (nelle mani di Ottavio Scotti e del pi\u00f9 che promettente allievo Luigi Scaccianoce), con personaggi che ne rievocano di allusivamente poco credibili (perfino un pittore allievo di Leonardo!), con balletti sensuali ma impacciati e qualche centimetro quadrato di pelle proibita esposta, la SCALERA FILM con base finalmente operativa alla Giudecca prova a ricollocarsi in un mercato che stava riprendendosi dalla sbornia dell’invasione dei film americani sbloccati dopo l\u2019autarchia fascista.<\/p>\n

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Ed \u00e8, all’epoca, un mezzo fallimento economico che non fa ben sperare una produzione la cui nascita, promossa da suo tempo da Mussolini, avrebbe dovuto combattere vincendo almeno con una delle Major americane, quella Warner Bros dei grandi drammoni storico-sentimentali che avevano in Errol Flynn l’interprete di riferimento. I passaggi da Hugo, a Boito con Ponchielli, agli sceneggiatori della Scalera (Angelo Bianchini D’Alberico, Max Neufeld, Raffaele Saitto) asciugano le implicazioni storico sentimentali, puntando anche sull’azione (il burchiello con i commedianti che vengono dalla terraferma, il carnevale notturno in piazza), ma soprattutto sulla costruzione di personaggi molto sommari nella loro caratterizzazione.<\/p>\n

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Con gli occhi di oggi il film viene a dimostrare una certa qual ingenuit\u00e0 produttiva, ma anche una buona professionalit\u00e0 dei reparti tecnici nonch\u00e9 una sorta di pregiudizio da parte dei contemporanei. Aprendo cos\u00ec una pagina di storia dello spettacolo dimenticata troppo in fretta.<\/p>\n

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Buono anche il cast con Clara Calamai, Carlo Lombardi, Elsa De Giorgi, Nino Pavese, Erminio Spalla, Carlo Micheluzzi, Memo Benassi (doppiato!!!).[\/vc_column_text][dfd_spacer screen_wide_spacer_size=”75″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][dfd_delimiter icon_size=”10″ delim_line_color=”#dd9933″ undefined=””][dfd_spacer screen_wide_spacer_size=”75″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″][vc_column_text]<\/p>\n

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